“Sam Francis: From Abstract Inspirations to Dream-Laden Artworks”
Sam Francis emerged on the art scene, drawing inspiration from prominent abstract expressionists like Mark Rothko, Arshile Gorky, and Clyfford Still. The impactful work of Jackson Pollock particularly influenced his free-flowing style. Later, he aligned himself with the next wave of abstract expressionists, figures like Joan Mitchell and Helen Frankenthaler, who were captivated by the evocative power of color.
In the early 1960s, Francis introduced series such as the “Blue Balls,” characterized by blue, biomorphic forms interspersed with drips—a poignant reflection on his personal struggle with renal tuberculosis in 1961.
The following decade saw Francis relocating to California, oscillating between Los Angeles and Tokyo. It was in 1965 that his work underwent a transformation, now showcasing vast stretches of untouched canvas, stark lines, and minimalistic color palettes. A profound exploration of his subconscious commenced in 1971, under the guidance of Dr. James Kirsch, a Jungian analyst. This led him to interpret and depict his dreams and the symbolism within them.
From the 1980s onward, Francis’ works began to depart from their previously established grid structures. Parallelly, his passion for printmaking flourished. Francis produced a myriad of etchings, lithographs, and monotypes, many crafted in his Santa Monica-based Litho Shop. In 1984, his dedication to combining enthralling visuals with intriguing narratives culminated in the founding of The Lapis Press.
Esteemed Museum Holdings:
- MOMA, Toyama, Japan Wh
- MOMA, New York City, NY
- LA County Museum, Los Angeles, CA
- Konsthall, Malmo, Sweden