Description
“The Banker: An Insight into Charles Bragg’s Mastery”
“The Banker”, 1983, an exquisite limited-edition copper-plate etching, hand-signed and numbered by the distinguished American satirist, Charles Bragg. This artwork, numbered from 1/300 to 300/300, is a testament to Bragg’s expertise, etched with precision on heavy paper.
Provenance
Acquired in 1990 from the esteemed Dyansen Gallery in Carmel, CA, its pristine surface bears witness to the care it has received. Stored within an architectural flat file drawer in a smoke-free environment, every artwork at www.markshapirofineart.com is curated with dedication, encased in tissue or plastic sleeves, and dispatched flat, ensuring its impeccable arrival to esteemed collectors.
A Glimpse into the Life of Charles Bragg
Born in 1931, Charles Bragg was an artistic force that defined a generation. Celebrated as America’s premier social satire artist, his works resonate with depth, humor, and keen observations. Often drawing parallels with legendary artists like Bosch, Brueghel, and Daumier, Bragg’s portraits unravel the absurdities of society, making audiences both smile and ponder. As H.L. Mencken rightly remarked, “Nothing can come out of an artist that is not in the man,” and Charles Bragg epitomized this sentiment. Infusing humor with profound insights, he was a keen observer of humanity, capturing the zeitgeist of his era.
Bragg’s artistry wasn’t just about illustrations; it was a deep dive into human emotions and societal dynamics. His characters, each a mirror to someone we know or perhaps even ourselves, evoke an immediate connection, often provoking self-reflection. Bragg’s approach to art was not that of a mere spectator; he immersed himself fully, drawing from his experiences and the world around him.
Esteemed Museum Holdings:
Pushkin Museum, Moscow, Russia
Albrecht Museum, St. Joseph, MO
Piper Aviation Museum, Lock Haven, PA
Stedelijk Museum, Amsterdam