Description
“Fuck Communism: An Insight into Charles Bragg’s Mastery”
“Fuck Communism” exemplifies Charles Bragg’s mastery of the art world. This limited-edition etching, meticulously rendered on Rives BFK paper, is hand-signed and sequentially numbered from 1/300 to 300/300.
Provenance
I had the honor of adding Charles Bragg’s “Fuck Communism” to my collection in 1996, after purchasing it from the renowned Basil Collier Fine Art Gallery in Los Angeles, CA. This purchase not only added to my personal art collection but also deepened my appreciation for Bragg’s profound and sometimes provocative expressions. The piece’s distinct narrative and the story behind its acquisition have since made it a topic of discussion among many art enthusiasts with whom I’ve had the pleasure of interacting.
Ensuring its impeccable condition, the piece has been preserved in an architectural flat file drawer within a smoke-free, adult environment. We, at www.markshapirofineart.com, are committed to the highest standards of care, housing all our prints in either tissue or plastic sleeves and shipping them flat to guarantee their pristine delivery.
A Glimpse into the Life of Charles Bragg
Born in 1931, Charles Bragg was an artistic force that defined a generation. Celebrated as America’s premier social satire artist, his works resonate with depth, humor, and keen observations. Often drawing parallels with legendary artists like Bosch, Brueghel, and Daumier, Bragg’s portraits unravel the absurdities of society, making audiences both smile and ponder. As H.L. Mencken rightly remarked, “Nothing can come out of an artist that is not in the man,” and Charles Bragg epitomized this sentiment. Infusing humor with profound insights, he was a keen observer of humanity, capturing the zeitgeist of his era.
Bragg’s artistry wasn’t just about illustrations; it was a deep dive into human emotions and societal dynamics. His characters, each a mirror to someone we know or perhaps even ourselves, evoke an immediate connection, often provoking self-reflection. Bragg’s approach to art was not that of a mere spectator; he immersed himself fully, drawing from his experiences and the world around him.
Esteemed Museum Holdings:
Pushkin Museum, Moscow, Russia
Albrecht Museum, St. Joseph, MO
Piper Aviation Museum, Lock Haven, PA
Stedelijk Museum, Amsterdam